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Telephone calls between migrant workers in Israel and their loved ones, left overseas. The stories of distant – close relationships, and the struggle to maintain intimacy, love or parenthood under almost impossible circumstances.
Director: Amikam Goldman
Script: Amikam Goldman
Producer: Yoav Roeh, Aurit Zamir
Coproducer: Edit studios- Sasha Franklin, Talia Goshen
Duration: 60 MIN
Year: 2009
Status: Released
Format: DIGIBETA
Language: English, Tagalog, Twi, Hebrew
Subtitles: English, French, Hebrew, Russian
Sales: Andana Films
Partners: Makor fundation
Broadcasters: Noga Comunications
Director of Photography – Daniel Kedem
Editor – Yaara Lipkin Poran
Line producer - Noam Kaplan
Sound design - Gilad Leshem
Co producers - Shasha Franklin, Talia Goshen, Tamar Rosen
Music - Oren Luttenberg, Loren Connors
Co-Pro – Documentary Marketing Foundation
It is a fact of life that many human beings, often the residents of developing countries, are forced to search for work thousands of miles from their homeland. In addition to the difficulties inherent in being a foreigner in a strange land, and in often menial labour, there is a heavy emotional toll in living so far from one's close family and friends.
In most cases, the telephone is the only means of communication between loved ones over years. The film 'Long Distance' documents these conversations, taking place weekly in the city of Tel Aviv, from public telephones. Through these calls we are introduced to the heroes and heroines of this film, and to the minutiae of their relationships, managed almost entirely over the telephone.
For the migrant worker, the telephone calls home are a brief respite from the demands of a difficult job, from loneliness, and act as a reaffirmation of one's identity, while shoring up the motivation to stay the course and achieve the goals: usually saving a sum of money to help one's family survive and thrive.
All of the characters in the film have a close family member, husband, son, wife, child, or parent, with whom he or she maintains a relationship by phone. The conversation may be about practical everyday matters, such as fixing up the house, health, bringing up the children or even politics, but all the ingredients of intimacy: love, expectations, disappointment, anger and frustration, linger between the lines, while the very distance itself plays a distinct role in events between the parties.
D'argent Award - Fipa Biarritz 2010
Young Jury Prize- Fipa Biarritz 2010
Best Cinematography - Doc Aviv 2010
Doc Aviv - in competition
FIPA Biarritz - in competition
London International film festival - in competition
San Fransisco Jewish film festival
Amikam Goldman's beautiful film, which portrays worlds of loneliness and longing through telephone conversations made from public phones, breaks your heart in different tongues. "I'll buy you biscuits" promises a father back in Ghana to his confused son. "I'd like 10 gold bracelets" a Turkish young woman demands of her fiancé, working in construction in Israel. "How's your love life?" a mother asks her son whom she left behind in the Philippines. "You forgot our wedding anniversary" a caregiver for the elderly murmurs to his wife and adds": "always kiss the kids for me". "This is Gods plan for us", a tearful daughter says to her elderly, faraway mother. Something's wrong with the plan. If there's a God, he's not answering the call. An unforgettable glance at a silenced, faceless minority is the biggest benefit to have arisen from this situation.
Best Cinematography Award – Daniel Kedem, "Long Distance"
"With extraordinary sensitivity and almost tender, the camera gets close to the protagonists and their boarder crossing story of pain, desire and jealousy. Comprised of mere conversations on the telephone in the midst of poverty in Tel Aviv, the sophisticated cinematography reveals the depth and complexity of work immigration today. "
Amikam Goldman was born in 1973 in Israel and grew up in Tel Aviv. He finished high school in "Irony Alef for the arts". In September 1995 he moved to the USA to study film making, first at the "Film & Television Workshops", in Maine and since 1996, when he moved to New York, at the "New School for Social Research", where in 2000 he finished his diploma in cinema studies. He worked for 6 years in the major video & music store- "Kim’s Video", in NYC. Made his short film- "One-Windows", in 1997, which won 2nd place at the Marin County Film Festival, California. Amikam produced and directed two feature length documentaries in New York: "Main Street" (2000,video, 70mins.) a film that follows a group of dropout kids, in the streets of Rockland-Camden, in Maine. The film took part in the 2000 IFP Film- Market, at the Angelika Center, in NYC. "No!art Man" (2003,16mm, 80mins.), premiered at the Anthology Film Archives, January 2003. The film is a portrait on the life and work of Boris Lurie, an artist of the New York 50s and 60s Avant-garde years and a holocaust survivor. In November 2003 Amikam returned to Israel and he lives in Tel Aviv. He teaches cinema in "Blich" high school.